Carl Wilhelmson
1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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Carl Wilhelmson kvinna med katt oil painting


kvinna med katt
1898
Painting ID::  65576
Carl Wilhelmson
kvinna med katt
1898
   
   
     

Carl Wilhelmson undine oil painting


undine
1898 se
Painting ID::  65577
Carl Wilhelmson
undine
1898 se
   
   
     

Carl Wilhelmson konstnarens syster oil painting


konstnarens syster
1899 se
Painting ID::  65578
Carl Wilhelmson
konstnarens syster
1899 se
   
   
     

Carl Wilhelmson viken oil painting


viken
1901 se
Painting ID::  65579
Carl Wilhelmson
viken
1901 se
   
   
     

Carl Wilhelmson gardens dotter oil painting


gardens dotter
1902 se
Painting ID::  65580
Carl Wilhelmson
gardens dotter
1902 se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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